研究業績
PublicationsPublications
研究業績Publications
Publications
書籍Books
Mihara, Ryotaro. 2017. Brokering anime: How to create a Japanese animation business bridge between Japan and India (in progress). Doctoral thesisMihara, Ryotaro. 2017. Brokering anime: How to create a Japanese animation business bridge between Japan and India (in progress). Doctoral thesis
三原龍太郎 2014『クール・ジャパンはなぜ嫌われるのか ─ 「熱狂」と「冷笑」を超えて』中央公論新社. LinkMihara, Ryotaro. 2014. Kuru Japan wa naze Kirawarerunoka: Nekkyou to Reishou o Koete (Why is 'Cool Japan' so Criticised? beyond Enthusiasm and Cynicism). Tokyo: Chuo Koron Shinsha. Link
三原龍太郎 2010『ハルヒ in USA ─ 日本アニメ国際化の研究』NTT出版. LinkMihara, Ryotaro. 2010. Haruhi in USA: Nihon Anime Kokusaika no Kenkyu (Haruhi in USA: A Case Study of a Japanese Anime in the United States). Tokyo: NTT Publishing. Link
論文Articles
Mihara, Ryotaro. 2020. A coming of age in the anthropological study of anime? Introductory thoughts envisioning the business anthropology of Japanese animation. Journal of Business Anthropology 9(1): 88-110. DOIMihara, Ryotaro. 2020. A coming of age in the anthropological study of anime? Introductory thoughts envisioning the business anthropology of Japanese animation. Journal of Business Anthropology 9(1): 88-110. DOIMihara, Ryotaro. 2020. Involution: A perspective for understanding the Japanese animation’s domestic business in a global context. Japan Forum 32(1): 102-125. DOIMihara, Ryotaro. 2020. Involution: A perspective for understanding the Japanese animation’s domestic business in a global context. Japan Forum 32(1): 102-125. DOI査読なしNon-refereed journals
Hirasawa, Nao and Ryotaro Mihara. 2022. How an animation production studio survived the pandemic: The case of Graphinica, Inc. Journal of Business Anthropology 11(2): 225-234. DOIHirasawa, Nao and Ryotaro Mihara. 2022. How an animation production studio survived the pandemic: The case of Graphinica, Inc. Journal of Business Anthropology 11(2): 225-234. DOI査読なしNon-refereed journals
三原龍太郎 2013「試論：クール・ジャパンと通商政策」『経済産業研究所ディスカッションペーパーシリーズ』13-J-051. LinkMihara, Ryotaro. 2013. Shiron: Kuru Japan to tsusho seisaku (An essay on the relationship between 'Cool Japan' and trade policy), Research Institute of Economy, Trade and Industry Discussion Paper Series 13-J-051. Link三原龍太郎 2010「ウロボロスの環、あるいはアニメオリエンタリズム試論」『一橋ビジネスレビュー』58(3): 68-85. CiNiiMihara, Ryotaro. 2010. Uroborosu no wa, aruiwa anime orientarizumu shiron (The Ouroboros strip, or an essay on anime orientalism), Hitotsubashi Business Review 58(3): 68-85. CiNii三原龍太郎・山崎繭加 2010「バンダイエンタテインメント ─ 北米アニメ市場における新たなビジネスモデルの模索」『一橋ビジネスレビュー』58(3): 140-153. CiNiiMihara, Ryotaro and Mayuka Yamazaki. 2010. Bandai Entateinmento: Hokubei anime shijo ni okeru aratana bijinesumoderu no mosaku (Bandai Entertainment: In search of new business models in the North American anime market). Hitotsubashi Business Review 58(3): 140-153. CiNii ブックチャプターBook chapters
三原龍太郎・豊永真美 2022「『日本』から『日本語』へ ─ マンガの国境をこえた展開に係る在仏マンガ出版社Ki-oonのケーススタディ」 小山昌宏・玉川博章・小池隆太編『マンガ探求13講』水声社 pp. 311-344. LinkMihara, Ryotaro and Mami Toyonaga. 2022. 'Nihon' kara 'Nihongo' e: Manga no kokkyou o koeta tenkai ni kakaru zaifutsu manga shuppansha kiūn no kēsusutadi (From 'Japan' to 'Japanese': A case study of French manga publisher Ki-oon regarding manga's transnational production and distribution). In Manga Tankyu 13-kou (13 Chapters for Exploring Manga Studies). Masahiro Koyama, Hiroaki Tamagawa and Ryuta Koike eds. Pp. 311–344. Tokyo: Suiseisha. Link
三原龍太郎・山下一夫 2020「日本のアニメビジネスの海外展開と中国 ─ 鍵概念としてのブローカー」 永田大輔・松永伸太郎編『アニメの社会学 ─ アニメファンとアニメ制作者たちの文化産業論』ナカニシヤ出版 pp. 148-157. LinkMihara, Ryotaro and Kazuo Yamashita. 2020. Nihon no anime bijinesu no kaigaitenkai to chuugoku: Kagigainen to shite no Buroka
(Exploring how Japan and China interact in the field of anime business: Broker as a key
concept). In Anime no Shakaigaku (Sociology of Anime). Daisuke Nagata and Shintaro Matsunaga eds. Pp. 148-157. Kyoto: Nakanishiya Publishing. Link
学会発表Conference presentations
‘Trans-Asianising the animated Hakujaden: From a milestone in the national history of Japanese animation to a local node of Asia-wide dissemination of the white snake motif’, paper jointly presented with Tatsuo Yoshikawa and Kazuo Yamashita for panel ‘The Politics of Transnational Japanese Media’, 17th International Conference of the European Association for Japanese Studies, Ghent: Ghent University, 20 August 2023.‘Trans-Asianising the animated Hakujaden: From a milestone in the national history of Japanese animation to a local node of Asia-wide dissemination of the white snake motif’, paper jointly presented with Tatsuo Yoshikawa and Kazuo Yamashita for panel ‘The Politics of Transnational Japanese Media’, 17th International Conference of the European Association for Japanese Studies, Ghent: Ghent University, 20 August 2023.
‘Exploring ‘institutional Orientalism’ at work in Anglophone anime studies’, paper for panel ‘Thinking with Animation’, The Twenty-fifth Asian Studies Conference Japan, Tokyo: Sophia University, 01 July 2023.‘Exploring ‘institutional Orientalism’ at work in Anglophone anime studies’, paper for panel ‘Thinking with Animation’, The Twenty-fifth Asian Studies Conference Japan, Tokyo: Sophia University, 01 July 2023.
‘The trans-Asianisation of the Japanese animation scene: A case study of Chinese animation’s distribution in Japan’, paper jointly presented with Tatsuo Yoshikawa and Kazuo Yamashita for panel ‘Border Crossings’, Society for Animation Studies 34th Annual Conference, Online, 13 June 2023.‘The trans-Asianisation of the Japanese animation scene: A case study of Chinese animation’s distribution in Japan’, paper jointly presented with Tatsuo Yoshikawa and Kazuo Yamashita for panel ‘Border Crossings’, Society for Animation Studies 34th Annual Conference, Online, 13 June 2023.
‘Co-producing anime in Asia: Comparative case study on Japan’s anime co-production with China, India and Saudi Arabia’, paper for panel ‘Economies of Anime’, Mechademia International Conference in Kyoto, Kyoto: Kyoto International Manga Museum, 29 May 2023.‘Co-producing anime in Asia: Comparative case study on Japan’s anime co-production with China, India and Saudi Arabia’, paper for panel ‘Economies of Anime’, Mechademia International Conference in Kyoto, Kyoto: Kyoto International Manga Museum, 29 May 2023.
‘Past, Present, and Future of Storyboarding in Japanese Animation’, paper jointly presented with Jun Kato and Nao Hirasawa for session 'Anime', Society for Animation Studies 32nd Annual Conference, Online, 16 June 2021. Link‘Past, Present, and Future of Storyboarding in Japanese Animation’, paper jointly presented with Jun Kato and Nao Hirasawa for session 'Anime', Society for Animation Studies 32nd Annual Conference, Online, 16 June 2021. Link
‘Research on anime storyboards for individual and collaborative creativity’, poster jointly presented with Jun Kato, Kazuya Murata, Kenta Hara and Nao Hirasawa, The 1st International Symposium on Intelligence Design, Online, 15 March 2021. Won the Best Poster Award.‘Research on anime storyboards for individual and collaborative creativity’, poster jointly presented with Jun Kato, Kazuya Murata, Kenta Hara and Nao Hirasawa, The 1st International Symposium on Intelligence Design, Online, 15 March 2021. Won the Best Poster Award.
‘Examining the contemporary dynamics of Japan-China interactions in the cultural and creative industries’, paper for roundtable ‘Examining the Contemporary Dynamics of Japan-China Interactions in the Cultural and Creative Industries’ (chair), Association for Asian Studies Annual Conference in Asia 2020 (AAS-in-Asia 2020), Online, 03 September 2020.‘Examining the contemporary dynamics of Japan-China interactions in the cultural and creative industries’, paper for roundtable ‘Examining the Contemporary Dynamics of Japan-China Interactions in the Cultural and Creative Industries’ (chair), Association for Asian Studies Annual Conference in Asia 2020 (AAS-in-Asia 2020), Online, 03 September 2020.
‘Anime has been hiding from the world’: How Orientalism works in contemporary Anglophone anime studies’, paper for panel ‘Disciplines, Theories, and Meta-Reflection’, International Symposium: Theorizing Anime: Invention of Concepts and Conditions of Their Possibility, Tokyo: Waseda University, 16 November 2019.‘Anime has been hiding from the world’: How Orientalism works in contemporary Anglophone anime studies’, paper for panel ‘Disciplines, Theories, and Meta-Reflection’, International Symposium: Theorizing Anime: Invention of Concepts and Conditions of Their Possibility, Tokyo: Waseda University, 16 November 2019.
‘The liminal position of a broker that converges the conflict between art and commerce: From the case of a trans-Asian anime business project bridging Japan and India’, paper for session ‘East Asian Creative Industry in a Global Context’, The Fourth Global Creative Industries Conference, Hangzhou: Wider Gaming Culture and Entertainment Center, 27 May 2018.‘The liminal position of a broker that converges the conflict between art and commerce: From the case of a trans-Asian anime business project bridging Japan and India’, paper for session ‘East Asian Creative Industry in a Global Context’, The Fourth Global Creative Industries Conference, Hangzhou: Wider Gaming Culture and Entertainment Center, 27 May 2018.
‘Bridging business customs: Brokers for cross-cultural management in Asia’, paper for session ‘Border Theories’, Association for Asian Studies Annual Conference 2018, Washington D.C.: Marriott Wardman Park, 24 March 2018.‘Bridging business customs: Brokers for cross-cultural management in Asia’, paper for session ‘Border Theories’, Association for Asian Studies Annual Conference 2018, Washington D.C.: Marriott Wardman Park, 24 March 2018.
‘How can Japan (Re)establish its politico-economic position vis-à-vis the Asia region? A case study of an entrepreneurial Indo-Japanese creative business project’, paper for panel ‘Japan and Asia’, 15th International Conference of the European Association for Japanese Studies, Lisbon: Nova University, 01 September 2017.‘How can Japan (Re)establish its politico-economic position vis-à-vis the Asia region? A case study of an entrepreneurial Indo-Japanese creative business project’, paper for panel ‘Japan and Asia’, 15th International Conference of the European Association for Japanese Studies, Lisbon: Nova University, 01 September 2017.
‘How to export Japanese animation products to India: A case study of a trans-Asian creative venture business project’, paper for workshop ‘Insights into Cultural Industries: New Approaches through Business and Economic Perspectives’, The 4th ECIPE-Korea Project International Workshop, Brussels: European Centre for International Political Economy, 30 June 2017.‘How to export Japanese animation products to India: A case study of a trans-Asian creative venture business project’, paper for workshop ‘Insights into Cultural Industries: New Approaches through Business and Economic Perspectives’, The 4th ECIPE-Korea Project International Workshop, Brussels: European Centre for International Political Economy, 30 June 2017.
‘The global presence of Japanese popular culture as one of the cultural waves from Asia’, paper for panel ‘New Cultural Waves from Asia’, XVIII ISA World Congress of Sociology, Yokohama: Pacifico Yokohama, 18 July 2014.‘The global presence of Japanese popular culture as one of the cultural waves from Asia’, paper for panel ‘New Cultural Waves from Asia’, XVIII ISA World Congress of Sociology, Yokohama: Pacifico Yokohama, 18 July 2014.
その他Others
三原龍太郎 2021「日本アニメのグローカリゼーション ─ アジア国際共同製作の現場から」 奥山雅之＆ZESDA編『グローカルビジネスのすすめ ─ 地域の宝を世界80億人に届ける』紫洲書院 pp. 145-165. LinkMihara, Ryotaro. 2021. Nihon anime no gurokarizeshon: Ajia kokusai kyoudou seisaku no genba kara (The glocalisation of Japanese animation: An on-sight report of anime's international co-production between Japan and other Asian countries). In Gurokaru Bijinesu no Susume: Chiiki no Takara o Sekai 80 okunin ni Todokeru (An Encouragement of Glocal Business: Delivering Japanese Local Treasures to the World's 8 Billion People). Masayuki Okuyama and ZESDA eds. Pp. 145-165. Otsu: Shidzu Shoin. Link
三原龍太郎 2015「インドでアニメビジネスを成立させることは可能か？」 デジタルコンテンツ協会編『デジタルコンテンツ白書2015』デジタルコンテンツ協会 pp. 220-227. LinkMihara, Ryotaro. 2015. Indo de anime bijinesu o seiritsu saseru koto wa kanouka? (Is it possible to establish Japanese animation business in India?). In Dejitaru Kontentsu Hakusho 2015 (Digital Content White Paper 2015). Digital Content Association of Japan ed. Pp. 220-227. Tokyo: Digital Content Association of Japan. Link